Wednesday, December 26, 2012
Thursday, October 11, 2012
Nudes
Sunday, August 12, 2012
Monday, June 18, 2012
The Band - Revisited
Saturday, February 11, 2012
Light in the Dark

We grow accustomed to the Dark
When light is put away
As when the Neighbor holds the Lamp
To witness her Goodbye
A Moment -- We uncertain step
For newness of the night
Then fit our Vision to the Dark
And meet the Road -- erect
And so of larger -- Darkness
Those Evenings of the Brain
When not a Moon disclose a sign
Or Star -- come out -- within
The Bravest -- grope a little
And sometimes hit a Tree
Directly in the Forehead
But as they learn to see
Either the Darkness alters
Or something in the sight
Adjusts itself to Midnight
And Life steps almost straight.
- Emily Dickinson
Citylights
These city lights
They glisten on the horizon
Dance to the sounds of late night revellers
Drinking, carousing, vomiting between destinations
Each one of them signals life
Ordinary people watching tv,
Talking
Laughing
Crying
Sleeping
Their minds silent but for the dreams they see
They rest humming in the distance
And when I look at them
I think of what brought to this place
This cold, loud space built on dreams
Most broken, a few fulfilled
And I wonder what they hold for me
-Kojo (from the web)
Sunday, January 02, 2011
Weeping Willow

[Oil on Canvas]
A willow of crystal, a poplar of water,
a pillar of fountain by the wind drawn over,
tree that is firmly rooted and that dances,
turning course of a river that goes curving,
advances and retreats, goes roundabout,
arriving forever:
the calm course of a star
or the spring, appearing without urgency,
water behind a stillness of closed eyelids
flowing all night and pouring out prophecies,
a single presence in the procession of waves
wave over wave until all is overlapped,
in a green sovereignty without decline
a bright hallucination of many wings
when they all open at the height of the sky,
course of a journey among the densities
of the days of the future and the fateful
brilliance of misery shining like a bird
that petrifies the forest with its singing
and the annunciations of happiness
among the branches which go disappearing,
hours of light even now pecked away by the birds,
omens which even now fly out of my hand...
(an extract of Sunstone by Octavio Paz)
Saturday, February 06, 2010
My Sister Snigdha's Painting
Virgin and Child
[Oil on Canvas}
There is a little story on how I started painting. I am the youngest of 4 daughters and younger than my third sister by 8 years (clearly an accident that my parents will never admit to :-)) . My sisters however have a gap of a year or two amidst them and so would participate in the same painting competitions in school. Every year the competitions would by dominated by the three of them, with the 1st, 2nd and 3rd prizes being shared between them, so much so that when I entered school, I was referred to as the "painting sisters' sister" :-)) Our house is filled with the prizes they have won over all the years and I always felt I could never live up to this hype in school :-) Even when I won some competitions, I secretly felt that it was only because our drawing sir, Vinay sir (who was very fond of all my sisters) was being partial to me. All of them had a wonderful portfolio of paintings done over the years. Wonderful bright colours, beautiful compositions. All done in water colours on TK Paper.
My second sister, Snigdha's paintings were selected for some international competitions that she won. I remember as a child, crawling up to the table where she used to paint and standing on a chair next to her's to watch her paint. She had a thing for female figures - beautiful eyes, hands, curves, clothes and colors. I think I modeled my own anatomy drawings on the basis of her take on people.
Over time, all of them got married and then children/ careers took over as the dominant aspect of their lives. Paintings stopped. Also, none of them went beyond water colours as a medium to paint. Now, after a gap of almost 10-15 years, my sister Snigdha has picked up the brushes again and is starting to paint with oils on canvas. Here is among the first of her paintings with the new medium. It is her favorite theme, mother and son, "Virgin and Child".
I must tell you that my parents (who had never painted ever) would buy us lots of painting books of the old masters, which we used to them try to recreate. We have all sketched our take of Da Vinci and Michalangelo since 3rd standard :)) My mona lisa sketch was done in the 4th standard vacation :-)), so our influence on early paintings have mostly been figures and people (as with the Renaissance era). We never tried anything contemporary such as cubist or modern art, which is why it is such a struggle for me to break out into anything abstract. Virgin and child is a prominent motif of that era and there are about 5-6,000 paintings done on this, at display on most major museums. My sister has a lovely son now called Hari and this is perhaps the dominant role in her life now,
You will find that her paintings have a melancoly quality to them, I used to often feel sad looking at them. I am glad to see that the expressive quality of the characters still remains and the emotions transcend the paint.
The photo does not do any justice to the paintings as she is taking them on her camera phone and I'm bluetoothing it onto the blog.
Chache, please keep painting lots and lots ..will put them all up here. Love you.

There is a little story on how I started painting. I am the youngest of 4 daughters and younger than my third sister by 8 years (clearly an accident that my parents will never admit to :-)) . My sisters however have a gap of a year or two amidst them and so would participate in the same painting competitions in school. Every year the competitions would by dominated by the three of them, with the 1st, 2nd and 3rd prizes being shared between them, so much so that when I entered school, I was referred to as the "painting sisters' sister" :-)) Our house is filled with the prizes they have won over all the years and I always felt I could never live up to this hype in school :-) Even when I won some competitions, I secretly felt that it was only because our drawing sir, Vinay sir (who was very fond of all my sisters) was being partial to me. All of them had a wonderful portfolio of paintings done over the years. Wonderful bright colours, beautiful compositions. All done in water colours on TK Paper.
My second sister, Snigdha's paintings were selected for some international competitions that she won. I remember as a child, crawling up to the table where she used to paint and standing on a chair next to her's to watch her paint. She had a thing for female figures - beautiful eyes, hands, curves, clothes and colors. I think I modeled my own anatomy drawings on the basis of her take on people.
Over time, all of them got married and then children/ careers took over as the dominant aspect of their lives. Paintings stopped. Also, none of them went beyond water colours as a medium to paint. Now, after a gap of almost 10-15 years, my sister Snigdha has picked up the brushes again and is starting to paint with oils on canvas. Here is among the first of her paintings with the new medium. It is her favorite theme, mother and son, "Virgin and Child".
I must tell you that my parents (who had never painted ever) would buy us lots of painting books of the old masters, which we used to them try to recreate. We have all sketched our take of Da Vinci and Michalangelo since 3rd standard :)) My mona lisa sketch was done in the 4th standard vacation :-)), so our influence on early paintings have mostly been figures and people (as with the Renaissance era). We never tried anything contemporary such as cubist or modern art, which is why it is such a struggle for me to break out into anything abstract. Virgin and child is a prominent motif of that era and there are about 5-6,000 paintings done on this, at display on most major museums. My sister has a lovely son now called Hari and this is perhaps the dominant role in her life now,
You will find that her paintings have a melancoly quality to them, I used to often feel sad looking at them. I am glad to see that the expressive quality of the characters still remains and the emotions transcend the paint.
The photo does not do any justice to the paintings as she is taking them on her camera phone and I'm bluetoothing it onto the blog.
Chache, please keep painting lots and lots ..will put them all up here. Love you.
Friday, January 29, 2010
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Painting is a relief. It is a set of experiences one carries deep inside one's self, that is desperate to get out. It is a represent...